Bratislava, 1930s. The owner of a luxury tailoring salon, Alfréd Blum, has always relied on a classy clientele, thanks to which he rose to the top of society. But times change, the world is in an economic crisis, and Blum discovers that in reality he only has debts. He has completely lost his assets in shares, and his clients have to deny themselves luxury goods. The only hope to save his family from poverty is Blum's life insurance policy for 300,000 crowns. Therefore, the businessman turns to his old acquaintance, unemployed tailor Ján Kepeš, with an unusual offer. He gives him five thousand crowns and arranges a job for him in a Viennese salon. The condition is that Kepeš kills Blum...

A biopic about Turkish actress Adile Naşit (1930—1987), who was featured in many ensemble casts in classic comedy films.

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The story of Pavel Duchaj, who starts walking with a cane, which is a sign for the village community that he will soon pass away. Not only the village, but also his closest family feels offended that Duchaj is not dying, that he is resisting fate with various activities.

Wartime events from a child's perspective were a popular theme during the previous regime - here it is a twelve-year-old village boy who experiences dangerous situations with retreating Nazi troops in picturesque South Bohemia... Any attempt to achieve a more believable depiction is destroyed by the staging's grandeur, and in the end the result is an awkward piece, suitable at most for celebrating the relevant national holidays. A longer copy with a tragic ending is stored in the NFA. Milda is shot unnoticed by an SS major.

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The television film based on the novel of the same name by Ladislav Mňaček draws on the period of World War II and the Slovak National Uprising. The film's story is composed of two intertwining time lines. In the images of the present that frame the entire narrative, the young partisan Voloďa - a hero with autobiographical features - recovers from a serious injury. In feverish reminiscences and in conversations with his nurse Eliška, he recapitulates the eventful events of his time in the partisan group in the village of Ploština, which the partisans abandoned under the pressure of events and left to the mercy of the German commando. Voloďa is haunted by visions of the burning Ploština, remorse and responsibility for the tragedy. In feverish reminiscences, he relives the meetings of the partisan detachment with the German commando. Memories of the mysterious Jewish girl Marta, a partisan liaison with whom Pavol had a passionate love affair, also return to him.